'Agnosia' |
September 24, 2007 |
|
 |
||
On the 28th October 2007 Formication released 'Agnosia' simultaneously as a free high quality MP3 download available at Dark Winter and lavishly made but cheaply priced CD.  
R e v i e w s thanks to Robert Black @ Synergy for this: Formication are at the edge of exploration of dark ambient landscapes and Agnosia is another impressive offering. It offers a powerful evocation of mood and emotion and really needs to be experienced through headphones or very late at night without distraction. There is so much in every track and each listening turns up something more.. The albums introduction opens with some rather infernal electronic percussion with the added textured sound of synthesizers adding a great atmosphere, add to this distant voices and strange pulsing and clicking sounds and you know you are in for another superb journey. The second track has a wailing sound that resonates through layers of twisted percussion which certainly create a paranoid and claustrophobic mood, which is then relieved through the floating and soft waves of the following track. The fourth track, my favourite, is intense and powerful. It is unnerving with its strange noises and use of clicks and voices to create a disorientating and passionate piece. Completing this exploration at the edges of dark music is a moody track which seems to mix all the different themes Formication like to explore. This is an EP of around 32 minutes but certainly is a fascinating and powerful album. It takes us on a journey through unconcious territories, hovering between dreams and nightmares and is certainly worth exploring." thank you Dr Richard (nothingatall.net): "Tricky one to write about this, 5 tracks of organically evolving electronica that is a black as anything and unlike so much else out there at the moment. This Nottingham based duo have made something not so far away from Aphex Twin's ambient work series.... but the doom and darkness enveloping this work is pretty stunning to say the least, and that's what so annoying about this (for me at least)... I have no idea how to describe or write how they sound and how they feel and what they evoke and what they want. It's almost like a fucked up merging of Autechre's early work and AFX's pop sensibilities whilst at the same time secretly plotting to want to be more like Justin K Broadrick. Its impossible to describe for me this, which must mean something. Either way I'm pretty impressed and looking forward to hearing more..." Thanks to Chain D.L.K & Andrea Vercesi: Released on Dark Winter both on cd and for free download – Agnosia is the new ep by Formication and features a twist in their style but mantains a top notch ritualistic and enigmatic blend of ambient. With "Agnosia" they take distance from coil-influenced electronics ( last year's "Icons for a New Religion " ) to dive deeper into an hard-edged isolationism, the obsessions and compulsions here are similar to those found on the first album by Final. As in their previous album "Redux" there are tracks on this ep with titles but without the precise order – this continuity slows down your mental processes in order to reach a trance-like state. Formication's sound undergoes several permutations and surely requires open ears. As for their previous release,i have the feeling that they are getting close to a masterpiece of dark electronics. After the album, one connects immediately with this new production of
the duet Formication, left less than six months after splendid Icons
for has New Religion. It is also the occasion for us to see whether
the duet of Nottingham confirms its first test.
With his 5 titles for large a half hour, one will rather regard
Agnosia as a mini album with in point of organ a title of almost 13
minutes, pointing out the opening of Icons for has New Religion. To
tell the truth, one is déboussolé a little with the listening of
disc. If environments remain same quality, dark, worrying, the form is
somewhat different, to start with the sound density, the experiments,
and of the melodies less present, less effective. The first title
rests for example on a rhythmic loop which seems made up of concrete
between-shocks on which some cavernous breaths are posed. When the
sound is clearer, it is as well purified more with floating and
rhythmic tablecloths of cans. Hesitating, chaotic. The third track is
only made up of a melody of guitar, felted, hardly treated, coming
very close to lullaby melancholic person. The things are done a little
more interesting thereafter. The sound remains clear, but the various
elements are scattered and seem to be answered: resonant minimal
melody with far, infra-low humming, whistles grésillants, time then
seems suspended, and more still on the last track, of composition
perhaps more traditional: buckle metal cords and tablecloths in flow
and backward flow, a texture of power saw sometimes, an analogical
loop of keyboard very 70s, a murmured robot-like voice way Darth
Vader, some effects of syncope on the end as if the machines were
enraillaient before a return to a state of calm.
Certainly more difficult of access than Icons for has New Religion,
Agnosia is more abstract but also more frankly ambient, of the same
tonality when the album alternated environments. Agnosia remains a
completely honest album, and in particular less marked by the
influences previously quoted (Coil and:Zoviet*France: at the head). It
should be noted that this production is a collaboration between
Harmful (structure managed by Formication) and Dark Winter (netlabel
American dedicated to the musics dark-ambient), and is thus available
to the traditional format CD (limited to 500 specimens) and in free
remote loading on the netlabel. Thanks to Tobias Fischer of Tokafi for this review: It is with mixed emotions that we present this album as part of our first “Dark Ambient Special”. Not because of the quality of the music at hand here. Quite on the contrary, it deserves to be heard by anyone with an internet connection decent enough to allow him to download this work from the pages of the Dark Winter website for free or with enough spare cash to support the band by ordering it at the decidedly friendly price of $7.99. What instead turns this into a difficult case is that it seems anything but fair to put any kind of stamp on this UK-based duo, which has by now developped a style both demanding and appropachable and which is made up of as many dark passages as it is of amicably experimental ones. For Formication, it has almost always been like this. “Pieces for a comdemned Piano” called for comparisons with John Cage, while “Redux” explored the possibilities of reworking tracks in a live environment, using certain parameters as starting points and taking them to wherever the moment seemed to dictate. Quite a lot of the music on “Agnosia” seems to be based on a similar approach. What is most striking about this concise effort is its combination of tracks, which connect through ideas and shared context, rather than mood or texture. The details of these ideas remain undisclosed, however, and left to the listener to interpret. Consequently, objects which would otherwhise never meet are placed side-by-side, pieces develop according to rules outside of our immediate recognition, development can equal decomposition, tribal percussion takes on lead functionality and melody turns to rhythm. In the three short pieces, which open “Agnosia”, this approach is most obvious. The otherworldy character of the music is offset by its scenic compactness, its morbid undertones softened by the whimsically stuttering, sympathetically broken grooves, which seem to walk through shardes of broken glass while holding a candle to disperse the growing darkness. As the album progresses, however, the claustrophobia intensifies, even as the dreamlike poetry of some moments increases. It takes until the fourth track, in which gargantuan bass drones pressurise whatever’s left of the air around you, trampled triphop loops try climbing from their traumatised graves, shimmering synthesizer pads colour the sky in phantasmagoric timbres and an electronic bass guitar places black spots on a bleak canvas, that the album draws its audience in completely. After this horrific tour de force, the twelve minutes of the closing Berlin School of Electronic hommage soar off into the eternity of the cosmos on wings of muffled sequencer patterns and warm string sighs. Formication are not allowing genre-definitions to interfere with this consciously unconscious approach. “Agnosia” remains sealed off from the putside world through highly personal filters. “Why the fuck aren't they headlining the festivals all over the planet?” much-respected Retinascan label founder Burkhard Kelin once asked with reference to Formication, but the answer is just as obvious: Because their music still seems to have been composed on a different planet and within the hermetic atmosphere of their livingroom at midnight. It is this complete disregard of formulistic demands, which makes them hard to categorise – but a true treasure for any Dark Ambient fan with a desire to try out something different for a change." Thanks to ZG of Heathen Harvest for the attention: 'Two guys from the UK - Kingsley John Buckland Ravenscroft and Alec D Bowman - come up again with a new masterpiece Agnosia, Formication’s seventh act. And again even by the outlook this album has something to tell about itself. This time their album is not only issued on CD limited to 500 copies, but is available as a net free release via Dark Winter, a label focused on dark ambient, atmospheric sound from all around the world. Agnosia is a disease, a loss of ability to recognize objects, persons, sounds, shapes, or smells while the specific sense is not defective nor is there any significant memory loss. And maybe the cover that is usually a part and parcel of the concept within each of Formication’s CD this time also a reflection of the main idea. The object on the picture in the middle of the cover is quite difficult to determine. Sure, you can say that it is a shape of the man that is looking down. But some pay perceive it just as a spot..or a number of spots. You see, it is like a test at a psychiatrist’s – your perception depends on how much your mind is out of order..or how luxuriant one’s imagination is. So, as Agnosia come together with some difficulties in recognising the shapes and objects, the choice of the front cover is very appropriate in my opinion. This conception continues on the album, when you cannot be sure what is written on the CD, what you’re hearing and what is the origination of this or that sound, you cannot be sure about the track you’re listening to, because the exact names of the track are known only by the band members or even they might not know which track has which title of those mentioned on the back of the envelope. Yes, small cute envelope in black and white just to hold a CD and nothing else. Well, the artwork of the envelope and CD say it pretty all. The CD contains only five track, but it is not quantity that counts, isn’t it? It is once again a fine piece of ritualistic ambient that makes you address yourself to the mysterious ancient times and then come back to contemporary world. Or is it a journey to the dreams or better to say nightmares? Pictures of day and night changing each other fast, grey and black clouds running accross the sky, sun rising and setting as if centuries are passing by while you’re just standing and watching. Or it may be you, changing seasons and making the sun set as an ancient shaman, insightful and powerful. These are the first two tracks – a calm atmospheric layer sometimes accompanied with remote haunting sound with rhythmic ornaments built of anxious sounds that remind ritualistic, sometimes shifting shaman drumming. If those two first tracks can be somehow called dark and anxious, then the third track is full of tranquility, which is created with teh help of transparent crystal sounds travelling from ear to ear and eventually slowly moving away so that the beginning of a new track comes as a slight shock. It is not a return to the first two tracks. It is viscous, unclear, very thick. As if you didn’t have any place to move and had to move together with something that moves near, as if the waves of something unknown and unseen moved you, some power you cannot resist. Guitar sound appear as an image of light in the end of a tunnel, a picture of something bright, embodiment of hope, which suddenly disappears to appear again after some time, when viscous, thick sound comes back. This time it is deeper and more atmospheric, this bass makes you feel the space and then fades away to give the way to the last track – Agnosia (the title is not stated on the cover, however), which gives rise to diverse feeling – on one hand it is very calm and even full of light and transparency, but on the other hand it has these sounds in background that doesn’t allow you to relax and calm down, they make you stay attentive and wait for something to happen. Well, something’s indeed happened: this band again pleased my ears and my imagination with their highly atmospheric and professional sound design. Will be waiting for the next album, just as ever!' Thanks to D.H. of Gridface for this review: 'I had the misfortune of choosing to first listen to this mini-album by the UK duo known as Formication at about one o’clock in the morning, with powerful winds of 70km/h whirling at my window in the blackness. The ambience was creepy enough without the music, and when the first sounds of Agnosia began to fade in I feared it would be too much, but I listened, paralyzed. Shifting, crunchy signals and a looping whistle-like sound immediately make it known that this will be a claustrophobic ambient album of the creepiest quality, something Coil and Elph would be proud of. Howling electronic winds are blowing a rusty gate while inaudible voices try to tempt me in strange tongues. Just before I feel the need to end the madness, the next track floats in on airy pads and clattering found sounds. I feel calmer now, but still uneasy as the clattering seemingly picks up a rhythm but almost immediately drops it in favor of a new one. Just as my mind starts to wonder in a paranoid manner what could be next, a soothing bell-like synth loops gorgeously. The tones sound safe and I can relax. Or can I? A blast of dissonance, sub-bass and what sounds like schizophrenic crickets surround me. A submerged minor-key melody starts to play through all the chaos, but abruptly stops in favor of static. The melody reenters with only the crickets to compete with and a few random bursts of bass. Maybe the nightmare is over, I think to myself as delayed melodies start to float above me. These sounds are friendly; they will guide me to light. Just then I start getting queasy… the sounds have turned on me, they are closing in on me, the voices are back, they’ve found me. They are getting closer, but I can’t move, they are whispering in my ear. The environment starts to fade away, revealing my room. Was it all just a dream, a nightmare, or maybe both?' 
  'Formication
make dark ambient with emphasis on dark. By adding metallic drone and
an industrial menace to these five pieces, they have created an ominous
and rich EP with more bite than many a similar release. The highlights for me are the third and fourth tracks. The third track is a somber, rhythmic piece, one that looks within its drone for that rhythm and finds it. The fourth, is an otherworldy, echoing, gothic piece, with occasional bursts of static, disturbing bass-heavy howls, and unearthly minor chords, the sound of quiet, probably fetid water dripping. Most ambient records these days seem to like to end with a long track, and the fifth tune here is a Kraftwerk-esque dream piece running over 12 minutes. Slowly the buildup to an industrial pulse provides a fitting uncoiling of many of the EP’s motifs. This duo knows its electronica history as well as having a bag full of their own ideas. That combination makes for a formidable and creepy entry into the soundscape wars.' 7/10 -- Mike Wood (8 January, 2008) Thanks to Paul Lloyd of Side-Line for this: 'Masters of dark ritual ambient Alec Bowman and Kingsley Ravenscroft from Nottingham in the UK present “Agnosia”, a 32 minute album available for free download from net label Dark Winter (www.darkwinter.com) or as a limited edition of 500 CDs. The album, which takes its name from a condition that causes an inability to identify people or things, consists of just five tracks of typically disturbing content. “Night-time in the Forest of Sticks” and “The Skeleton in Your Head” are harrowing dark ritual nightmares hinting at unseen foreboding in the dark woods. “A Sad Story of Not Having” however is surprisingly minimal, serene and gentle, perhaps lulling us into a false sense of security before the haunting spectral voices, deep rumbling tones, fuzzy distortion and ominous scrapes introduce new demons to troubled minds. Cunningly mixing some of the sinister qualities of the opening brace of tracks with the minimal ambience of the third, the duo illustrate their ability to take their already dark electronic music to nightmarish levels. At just under 13 minutes, album closer “Agnosia” continues the journey deeper into the darkness, adding a distorted spectral voice for even more supernatural effect. A very dark album but wonderfully executed and absorbing – just don’t listen to it on your own…or in the dark!' (PL:8) PL Huge thanks to Anthony Locke of Norman Records & Brainwashed for this great review: (here is the brainwashed link) 'Formication are the Nottingham based duo of Alec Bowman and Kingsley Ravenscroft who have recorded for Lumberton Trading Company (Thighpaulsandra, Experimental audio Research). My previous experience of their music tells me the ideal way to submerge myself in their latest mini-album 'Agnosia' is through headphones, by candle light with an ice cold Guinness in hand. So here goes... The albums intro begins with some sinister electronic percussion while some dark ambient atmospheric synths create an unsettling feeling. Distant voices that sound like they're speaking in tongues suggest a nightmarish paranoia... The second track has a wailing sound that resonates through the off kilter percussion while layers of glitches permeate the sound of broken machines, like the technology is dying, taking its final breath as it malfunctions. Then the third track has a warm, lush beauty. Minimal melodic keys and chimes that sound familiar, like coming out of a bad trip with a sense of hope. Simple in its execution yet astounding in its beauty. There are lots of subtle intricate pulses in the background that you can tune into. Deep listening for sure. Not quite the nightmare suggested by the albums opener... So where next on this journey through abstract sonic worlds?...So you wake up from the nightmare and realize it was just a dream, you take comfort in the knowing and return to your state of sleep but the relief is temporary. You're back in that dark place, the most distant recesses of your subconscious. Artificial crackles and fizzes disorientate you, meanwhile the sounds of insect wings fluttering at a hundred miles an hour puncture the brooding sub bass that weaves in and out of bubbling liquids, deeply rich textures, bleak soundscapes and synthetic audio sculptures. All the while a sense of melancholy permeates. It's a new world but you feel like you've been here before. You can see a million shades of black and each one is more intriguing than the last. 'Agnosia' closes with a cinematic, haunting piece that evolves into a hybrid techno track with eerie vocals and a futuristic vibe that's full of lurking tension and passionate intensity. It eventually becomes totally claustraphobic but as soon as it all becomes too much and I need to turn the lights on I'm relieved with white light as the album fades away like the ghost of a distant memory. A set of tracks that are interesting on every level from their glacial surface through to each subtle detail in the production. At a running time of just over 32 minutes it doesn't overstay its welcome and therefore is ideal for some late night solo escapism during the impending winter. Although the music is electronic in its construction it retains an organic, human feel throughout. Here are a duo who have truly mastered the art of black electronics. Like Darth Vader and Aleister Crowley on powerbooks after completing a PHD in sound design. Genuinely original sounding material that fans of Coil, Rapoon, Deathprod, and recent Dopplereffekt should investigate. Out on Harmful Records/ Dark Winter. Recommended.' Review by Oli Marlow appears in issue 12 of Rock-A-Rolla magazine: 'Agnosia' is the loss of the basic ability to recognise objects and people; a misfortune that conjures visions of darkness and panic, with a little self-torture thrown in for bad measure. The so titled new mini album from Nottingham noise duo Formication would soundtrack an exploration into such a mind bending funk perfectly without question and also happens to be their first project on Harmful Records / Dark Winter. Evolving from high-paced texture riddles, through simple ambience and on into delayed piano dalliances, the first three tracks cover all manner of Formication, pushing your listening through loops and after effects until you crave for more when the atmosphere swells into a cold syllable-less silence. Kingsley John Buckland Ravenscroft and Alec D Bowman are adept to handling the sheer and the grating, morphing their sonics together with feedback and purpose, extending and maximising the reach of their abstractions. It's only on the sparse 12 minute closer that you get to see that they are a dab hand at minimalism too, as they merge aspects of repetitive percussion into the synthesized wash.' This review from Remco of Gothtronic:
'Dragging through the dark melting muddy grounds of an spacious
landscape with a glassy yellow moon shining in the dark oily earth.
Tribal rhythms echoing through the thick intoxicated air. Sulphur
breathing creatures coming closer as you see their steaming breath
filling the air.
This from Frans De Waard at Vital Weekly: 'Following a string of releases on CDR and MP3, Formication made their move into 'real' CDs with 'Icons For A New Religion' (see Vital Weekly 579), and now return with 'Agnosia' for Harmful Records, which is their own label. Still a duo of Alec Bowman and Kingsley Ravenscroft, and still taking their influences from the last forty years of alternative music (from Conrad Schnitzler to Pete Namlook, from Throbbing Gristle to Porter Ricks). Highly atmospheric music, playing the mood card rather than the well structured composed card. Playing around with musical instruments, mainly samplers and synthesizers me thinks, this moves away from the previous release, which was a bit too 'magickal' and 'ritualistik' for my taste. This new one seems to be more open, has more air in it. Especially the final track (couldn't figure out the track titles) build around a pulsating rhythm is quite nice, highly psychedelic, but also having their marks inside ambient through dreamy synthesizers and a slightly distorted voice. A bit like Zoviet*France, this entire release, except that this is a bit short, clocking at some thirty-two minutes. Nice move this one. (FdW)' Thanks to Leon Vlieger & IkEcht for the following reviews: The English Formication has been reviewed here before with "Pieces For A Condemned Piano". Agnosia is their new outing (quickly following up on their previous release "Icons For A New Religion") and is a novelty for the .net label Dark Winter in that it is their first release which is also offered for sale as a limited CD. Where the previous "Pieces For A Condemned Piano" impressed me outright, this album shows a very different side of the artists. Partly this is due to the dissonant character of the sounds used. It is not so much that the used sounds are harsh (as the palette is actually rather warm), but that the manipulations used on many of the sounds, a sort of delayed echo, gives them a rather stuttering character. The short span of the album (five tracks in 32 minutes) in combination with a bit of an incoherent character overall left me rather perplexed the first few times; exactly WHAT was it I have just been listening to? Subsequent listening sessions improved this picture though. The first two tracks still do not quite captivate me, but the second half of the album delivers a warmer sound which is not altogether unpleasant. Especially the fourth track sounds like a condensed version of the masterful 45-minute fourth track of Jean Michel Jarre's "Waiting For Cousteau". I would recommend this album to lovers of ambient and other electronic oddities. But do not be surprised if this album does not reveal itself to you immediately.' - Songsoverruins Thanks to Roger Batty of Musique Machine for this review: 'This new ep from dark electrionca duo Formication really shows them making thier sound denser, deepen and more unnerving. It also finds them removing a lot of the clichéd & straight forward beat patterns that littered their last full length & replace them with more complex and deviant ones. Though you can still hear hints of others work it seems to be getting less and less with their own dark and hallucinogenic electronic identity coming to the fore. The tracks often feel like look into darkly deranged and macabre magic eye pictures, the closer you listener the more unnerving and down right creep elements appear to ones ear. I guess if you were to make comparison you'd could say Coil around black light district album, or the sinister audio texturing of Boards of Canada’s Geogaddi, but there’s enough dark and malignant musically personality here to let it stand sinister in the Connor on it’s own A consistent and effective excise in dark and dense beat making that really slows this project is starting to swim more and more in their own dark waters.' Thanks to Simon Lewis of the fine Terrascope Online for this: Released on the suitably named Dark Winter Records, ‘Agnosia’ the latest release from Formication, is a powerful piece of dark electronica that inhabits the space between waking and dreaming. Over 32 minutes and 5 tracks the album crackles with glitchy percussion slow moving drones and lysergic soundscapes that alter the very room. Comparable with Future Sound Of London or early Tangerine Dream, lovers of electronic music should not hesitate from diving headlong into the dark ambience. Thanks to Matt Howarth & Sonic Curiosity for this: 'This release from 2007 offers 32 minutes of industrial ilbience. Abrasive electronics are harnessed to generate five tracks straight out of the pitch black twilight of a nuclear winter. Abstract cybernetic rhythms assail the senses in the first track, while shrill pitches wail and eerie sounds lurch about in the hazy distance. The second piece is brief and allows contentious beats to duel for domination. Some tonalities try to act as referee between these tempos but they are utterly outweighed by the conflict. The next piece utilizes bell-like keyboards to achieve a choppy melody that ends up chasing its own tail in a dreamy loop. Ultimately, this cyclic riff sinks into a pool of minimal chitterings. The music reverts to pure ilbience with the next piece, as glitchy sounds swarm amid sparkling bleeps and machines issuing bestial growlings. In the distance, a harmony strives to be heard, but is repeatedly beaten down by the harsher burblings of monsters best not viewed too closely. The final track clocks in at 12 minutes and offers the most structured arrangement. Elements from previous tracks (shrill pitches, glitchy beats, wavery tones) conspire to produce an almost melodic sequence that delivers the listener from apocalypse through a dreamy realm of perilous substance. Passage from the darkness is littered with spooky mutterings and celestial tonalities. Deliverance is actually quite dubious, for the tune's taint could remain buried deep in the audience's battered psyche. These compositions are stridently sparse, yet dense with haunting elements scurrying about an environment punctuated by gritty e-perc. The mood is dark and hostile, even when the tunes adopt restraint in their assault. A decidedly artsy compression of ilbience and ambience.' Thanks to Jaap Kamminga of Ikecht for this review: For a long time Formication to me was just "Pieces For A Condemned Piano", though they had allready done quite a bit more than that. Now they come with "Agnosia" a work that brings in some new things for them, but especially something new for the label "Dark Winter". This is their first ever release that will not only be a .net release but is also available as a limited cd-r. The album has five tracks and five track-titles. But there isn't a one on one binding between track and title. They call it a constant flux. Well let it be so.. it doesn't do it for me, but I'll just talk about track 1 to 5 then in the order they appear on the cd-r. Track 1 then is a very minimalistic piece. Listening on a normal volume-level you hear close to nothing at all. Track 2 is the longest track on the album with around 13 minutes, and also the most varied. Samples meet distortion and all kind of different effects to create a track that slowly takes over control over me. The vague voices somewhere in the back of the sound, the controlling buzz, the continuing squeaky sounds in the background that you can't escape. And then out of nothing, still deformed, but recognisable.. there is "Freedom", but what do they mean with that word? It is especially in this track that I'm reminded of Coil and Throbbing Gristle. Just as surprising, just as beautifull and yes, I dare say, just as good. Track 3 has a bit more melody and is more creepy then track 2. Strange field-recordings (?) are deformed in such a way you can almost dance to them. Alas, this starts to be a bit too much of the same after about 90 seconds, and the track is not yet finished then. Yes there are changes, but not enough to keep my attention focused on the track. Track 4 again is bit more on the ambient side, with a strange deformed bass-loop. Special and original for sure. Good? Well I don't know. It keeps on attracting my attention for sure. With the strange sounds on the foreground and the bass that starts to hamper after all. Leaving a world that contains more light, but still is every bit as obsessed as it was at start. Track 5 then is another track where ambient meets rhythm. And this time it is done in such a way that you can't help but enjoy. This is very good and you want your headphones to close over your ears even better, you hope you won't miss a sound. The two Brits behind Formication have again given us a very nice piece of work. A work with which they show ambient doesn't allways have to sound the same at the same time proving industrial is not dead. It isn't a masterpiece, but I can for sure advice this one. For those who like coil, but also for fans of Jarl and Troum. ' Thanks to Petcord for this review: Darkness. Cold machinery. Walking down a steamy hall, indifferently, precise and predictable mechanic rhythms creating new values. All of that and more could be the introduction to Formication’s Agnosia, released on the Dark Winter netlabel, notorious for its rather gloomy music selection. Formication’s line of music is remotely derived from IDM, in that there are fixed rhythms and repetitive analogue synth sequences that go through some serious filter manipulation. But there are also references to what is commonly identified as industrial and dark ambient: hovering synth tones, the obligatory vault sound and an artwork strongly reminiscent of the Goth scene’s black celebration standards. Add to it some zombified phone-line voices, nervously stuttering sequences and you are nearly there. Perhaps the sound is not that groundbreaking if you look at it from the angle of innovation, but then again this is a rather moot point as this shortcoming is overcompensated with intelligent arrangements and well adjusted antennas for creating a cinematic atmosphere loaded with tension. The pale, synewave tortured staggering rythm of the second track is a class of its own, how it mercilessly proceeds with sinister harshness in a hostile, post-atomic war environment. Then the sky lightens up with a faint synth motif, although it is too distant and soft to be a real comfort and is too quickly pushed aside by a subsonic wavering bassline that tosses up metallic splinters in a steamy vault filled with the slurping sound of digesting aliens. At times a melancholic minor sequence echoes a final desperate thought, reflections slowly dripping from the walls like tears shed in vain. The bizarre scenery culminates in the final track that courageously expands to an impressive range of almost 13 minutes and succeeds where many other artists fail miserably. It picks up the lighter intermission theme from track three, this time pushed into the virtual foreground and slowly drowning in dubmatic echoes, soon to be interfered by noisy feedback hysterically screaming in a shattered state of anxiety. Slowly a analogue synth bassline is fading in and terribly mutilated overflanged zombie voices announcing their final state of insanity. No doubt, these are great moments of dramaturgy and well supported by a decent production quality. To me this is one of the top releases of the year and probably one of the best ever heard from Dark Winter, thus I strongly recommend my readers to download this release, pick up some high quality earphones and enjoy the mind movie.' Agnosia (definition: “inability to recognize objects by use of the senses”) presents the five latest macabre mini-soundtracks from the black forest by Nottingham-based alchemists Alec Bowman and Kingsley Ravenscroft aka Formication. At thirty-two minutes, the plunge into dark ambient is shorter this time around yet the material is as ritualistic and mind-melting as anything the duo's unleashed before. The EP's disturbing mood is immediately established when monstrous groans in “Symptoms of a Nervous Disorder” suggest a dying soul being dragged towards a forest burial pit filled with scurrying insects scurrying and distant wails (“A Sad Story of Not Having”). After a brief interlude of uncharacteristic calm (the peaceful “The Skeleton in Your Head”), the plunge into the dark underbelly continues (“Night-Time in the Forest of Sticks ”) where shadowy behemoths and swarms of chattering insects are encountered. The title piece finally arrives to lift the veil of blackness and instill some modest degree of hope to arise for at least one more day. However, the restrained dub-like intro gives way to disease that spreads throughout the decaying body, prompting hallucinations of croaking voices, sour tones, and burbling electronic patterns. Formication's music offers the crowning aural complement to to an evening spent ingesting peyote and absinthe while reading Edgar Allen Poe and H.P. Lovecraft. |
||